Scorsese's 1976 New York City in 1080P never looked so good!
As we all know, a film's critical review is a subjective journey.
Many have universally praised Taxi Driver an American masterpiece.
In my humble opinion, it is Scorsese's crowning achievement.
I won't bother you a with a critical review of the narrative itself, the power of the performances, the lush cinematography not to mention the haunting soundtrack.
Lets get down to brass tacks with the Blu-ray experience:
The new 4K transfer and remastering ( under cinematographer Michael Chapmen and Scorsese's supervision ) looks fantastic. I can only hope for more studios to take their time when transferring vintage masterpieces. The clarity, color and detail even surpasses my last film-screening of this film at the Hollywood Cinerama Dome in the mid-90s. The soundtrack is presented in 5.1 DTS HD with wonderful results.
The special features are chock full of goodies, too numerous for me to list here fully:
I really enjoyed the...
Master character study
The importance of Taxi Driver cannot be overstated. More than a well made film, the movie is a genuine character study of the highest achievement. The absurdity of the decade in which the film was made lends an incredible amount of reinforcement to the presentation. The "conspicuous consumption" lifestyle of the 1970's makes the cheapness of human life depicted in the film (prostitution, exploitation, violence) seem all the more engaging. A few of the more important, albeit subtle scenes that I feel make the character study so realized include the following (I would ask that any viewer of the film pay close attention to these scenes and try to interpret the subtle importance of them as they relate to the character):
- Travis is sitting in his apartment watching American Bandstand on TV. He is angered by the celebration of adolescent sexuality he sees and how "human" and accessible it is portrayed to be. In contrast, Travis is completely unable to conceptualize himself in this rite...
The case for delirium
The ending of Taxi Driver has generated a lot of controversy and confusion because most people tend to assume that it's a simple continuation of the narrative of the film. In critical studies, however, the possibility is often raised that the end (after the the shoot-out scene to the end of the movie) is no less than Bickle's dying delirious imagination. I want to set forth the case that this is so.
First, at the end of the shoot-out scene, Bickle rolls his eyes backwards in the classic movie signature of death. Just before, of course, he put his blood-dripping finger up to his temple and mimed blowing his own brains out (after having failed with the empty real guns). Bickle is suicidal, dying, and will not recover.
Second, after this scene the camera pans across various news clippings on the wall of Bickle's room; these clippings describe him as a "hero" that saved a young girl. Also we hear the voice-over of Iris' parents saying that Bickle would always be welcome in their...
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